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Year: 2021

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‘Microsoft, which had tallied 40 victims as of Dec. 17, initially said that it had not been breached, only to discover this week that it had been — and that resellers of its software had been, too”

https://t.co/fekjpegImd

[snapshot url=”https://www.nytimes.com/2021/01/02/us/politics/russian-hacking-government.html”]
Original tweet: https://twitter.com/giano/status/1346124383132262401

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@josheac @Apple @iTunes Agree. But, to be fair, iTunes never was a great software even on macOS
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Original tweet: https://twitter.com/giano/status/1346124265339367426

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The reason why we are all forced to use Whatsapp (something I resisted for years) is that @Apple stubbornly refuses to release iMessage for Android and Windows. Signal still too small userbase >

App privacy labels show stark contrasts among messaging apps https://t.co/bJeih4VIAC https://t.co/ZQHCQlfCXf

[snapshot url=”https://9to5mac.com/2021/01/04/app-privacy-labels-messaging-apps/”]
Original tweet: https://twitter.com/giano/status/1346120403354329091

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Back to work, and my first paper for 2021 is @Gartner_inc “Implementing an Enterprise Open-Source Machine Learning Stack”.

I’m glad to see that research on #AI is expanding beyond whatever top cloud providers offer. There’s a universe of solutions that IT orgs should know about

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Original tweet: https://twitter.com/giano/status/1346107526635532288

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4 months from now, the definition of #NoOps, and its utopia of a fully automated IT, will be 10 years old. Ten. The industry has made incredible progress in #automation but we are far, far away from that vision. I wrote a vendor-neutral post about why: https://t.co/vHnpAURkkC
[snapshot url=”http://alessandroperilli.com/acontrarianview/noops/”]
Original tweet: https://twitter.com/giano/status/1346096905328144384
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Alessandro Perilli
Alessandro
Perilli
NEW: Open Creative Studio 13.0

AI R&D
Open Creative Studio
Open Creative Studio is a state-of-the-art, free AI workflow for ComfyUI. Generate text, images, videos, voice, music, audio FX, and lyrics.
Open Creative Studio for ComfyUI
Over 60K downloads!
The State of DeepFake
A series of videos to demonstrate the state of the art of deepfake technologies.
Deepfake Scarlett Johansson (Her)
Fake Show
A synthetic podcast featuring the most realistic synthetic voices today's AI models can generate.
Fake Show
Media
Tech From the Future
A YouTube channel where Alessandro shows what AI can really do.
Tech From the Future
Synthetic Work
A weekly newsletter to understand how AI is reshaping jobs and careers, workforce productivity, and business operations.
Synthetic Work
Content
AI for Art
A series of works Alessandro produced as a pioneer of generative AI for art.
Artificial Intelligence for Art
Startups Worth Watching
A tracker of startups with enormous potential, curated by Alessandro.
Startups Worth Watching
The Brain
A collection of the most interesting passages and charts Alessandro finds in books and articles on a daily basis.
The Brain
Thoughts
A tiny place where Alessandro shares ideas.

Bio
Alessandro is the CEO and Chief of Research at Unstable Reality, a boutique R&D lab focused on generative AI and synthetic media generation.

Public projects Alessandro is currently focused on:

  • Open Creative Studio
  • Synthetic Work
Things Alessandro has done in the past:

  • Tech executive, focused on business and product strategy for Red Hat
  • Global analyst, leading research in private cloud computing for Gartner
  • Entrepreneur in the media industry as the founder of virtualization.info
  • Advisor to Fortune Global 2000 companies
  • Co-author of the Cloud Computing Risk Assessment⭑ for the European Network and Information Security Agency (ENISA)
  • Author of a cybersecurity book⭑ for Arnoldo Mondadori Editore
  • Creator of one of the first ethical hacking trainings in the world for Mondadori Informatica
Alessandro also is:

  • A public speaker with over two decades of experience on stage delivering almost 500 keynotes
  • An inventor⭑
  • An art collector and a former corporate sponsor⭑ for Tate

Alessandro Is
an Expert In
Artificial Intelligence
Automation & Orchestration
Cloud Computing
Cybersecurity
Enterprise IT Management
Open Source
Synthetic Media & Disinformation
Virtualization
Alessandro Is
Passioned About
Art
Augmented Reality
Autonomous Vehicles
Behavioral Economics
Cognitive Psychology
Genetic Engineering
Human Body Enhancement
Industrial Design
Interior Design
Mass Surveillance
Neuroscience
Philosophy
Self-Publishing
UI & UX Design
Wearable Computing
Alessandro
Built
Project Wisdom
The first application of generative AI to automation in the IT industry: a large language model used to generate Ansible automation workflows (now called Ansible Lightspeed).
Ansible Security Automation
An open source-based solution to integrate and orchestrate 3rd party cybersecurity solutions through Ansible.
virtualization.info
From 2003 to 2010, the most authoritative online publication about virtualization worldwide, with over 7 million visitors per year.
Alessandro Invented
US Patent 10778701
Mitigating cyber-attacks by automatically coordinating responses from cybersecurity tools.
Alessandro's
Essays
  • Amazon has won enterprise IT management
  • Open Source for Business People
  • Analyst Relations Worst Practices
  • NoOps: Misguided Hopes, New Ideas, And Three Paths Towards An Attainable Future
  • A killer app for the VR of the future: life tourism
Alessandro's
Podcasts
Reality Distortion Fields - Podcast Cover

In the Press
MIT Logo
The MIT mentions Alessandro as a subject matter expert in artificial intelligence in a new research paper:
Why They’re Worried
MilanoFinanza Logo
Milano Finanza interviews Alessandro about the Future of Life Institute (FLI) open letter he signed:
ChatGPT, l’intelligenza artificiale è davvero una minaccia o rimane un affare miliardario?
FT Logo
Financial Times quotes Alessandro about the impact of automation on human labor:
How cloud automation is changing IT: repair, replicate and correct
Time Out Logo
Time Out quotes Alessandro about censoring creative work produced with generative AI:
"I thought people would understand what I was trying to do": The story behind the film too controversial for London's cinemas
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