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Year: 2015

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.@krmarko Look, it’s so simple. All I want is a VR version of @XCOM for @oculus *but* maintaining all strategy elements in current game.
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Original tweet: https://twitter.com/giano/status/609110101002231808

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RT @EPro: Google Slides for Android and iOS now supports Chromecast and AirPlay http://t.co/GMRLE4egeA http://t.co/HqcoEuJI99
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Original tweet: https://twitter.com/giano/status/609087721416589312

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Thanks for the coverage, @christhedj – http://t.co/ZIOJ1AKWL4
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Original tweet: https://twitter.com/giano/status/608918659671711744

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Privacy vs. User Experience: http://t.co/YkGQOAVWYj < This is really good. I agree with @dcurtis
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Original tweet: https://twitter.com/giano/status/608396496564854786

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@CitrixCEO Great to see you online here. Share all that knowledge, don’t be selfish 🙂
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Original tweet: https://twitter.com/giano/status/608393220553342978

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True differentiator between Apple Music and Spotify & others will be the discovery engine. Spotify is meh at that finding relevant new music
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Original tweet: https://twitter.com/giano/status/608334066161745920

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First post for my Red Hat cloud strategy blog: “#OpenStack: Scary Enterprise Support” – http://t.co/lwPUoXlJu9
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Original tweet: https://twitter.com/giano/status/607898294191321088

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6 months ago another #OpenStack vendor promised to support in-place upgrade by this date.I hope press will go and check if it’s happening…
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Original tweet: https://twitter.com/giano/status/606818629724860416

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New blog post: “#OpenStack: Scary Enterprise Support” – https://t.co/pxeExMcMOI
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Original tweet: https://twitter.com/giano/status/606738601423060992

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@mjasay Most concise feedback ever 🙂
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Original tweet: https://twitter.com/giano/status/606453603956604928
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Alessandro Perilli
Alessandro
Perilli
NEW: Open Creative Studio 13.0

AI R&D
Open Creative Studio
Open Creative Studio is a state-of-the-art, free AI workflow for ComfyUI. Generate text, images, videos, voice, music, audio FX, and lyrics.
Open Creative Studio for ComfyUI
Over 60K downloads!
The State of DeepFake
A series of videos to demonstrate the state of the art of deepfake technologies.
Deepfake Scarlett Johansson (Her)
Fake Show
A synthetic podcast featuring the most realistic synthetic voices today's AI models can generate.
Fake Show
Media
Tech From the Future
A YouTube channel where Alessandro shows what AI can really do.
Tech From the Future
Synthetic Work
A weekly newsletter to understand how AI is reshaping jobs and careers, workforce productivity, and business operations.
Synthetic Work
Content
AI for Art
A series of works Alessandro produced as a pioneer of generative AI for art.
Artificial Intelligence for Art
Startups Worth Watching
A tracker of startups with enormous potential, curated by Alessandro.
Startups Worth Watching
The Brain
A collection of the most interesting passages and charts Alessandro finds in books and articles on a daily basis.
The Brain
Thoughts
A tiny place where Alessandro shares ideas.

Bio
Alessandro is the CEO and Chief of Research at Unstable Reality, a boutique R&D lab focused on generative AI and synthetic media generation.

Public projects Alessandro is currently focused on:

  • Open Creative Studio
  • Synthetic Work
Things Alessandro has done in the past:

  • Tech executive, focused on business and product strategy for Red Hat
  • Global analyst, leading research in private cloud computing for Gartner
  • Entrepreneur in the media industry as the founder of virtualization.info
  • Advisor to Fortune Global 2000 companies
  • Co-author of the Cloud Computing Risk Assessmentâ­‘ for the European Network and Information Security Agency (ENISA)
  • Author of a cybersecurity bookâ­‘ for Arnoldo Mondadori Editore
  • Creator of one of the first ethical hacking trainings in the world for Mondadori Informatica
Alessandro also is:

  • A public speaker with over two decades of experience on stage delivering almost 500 keynotes
  • An inventorâ­‘
  • An art collector and a former corporate sponsorâ­‘ for Tate

Alessandro Is
an Expert In
Artificial Intelligence
Automation & Orchestration
Cloud Computing
Cybersecurity
Enterprise IT Management
Open Source
Synthetic Media & Disinformation
Virtualization
Alessandro Is
Passioned About
Art
Augmented Reality
Autonomous Vehicles
Behavioral Economics
Cognitive Psychology
Genetic Engineering
Human Body Enhancement
Industrial Design
Interior Design
Mass Surveillance
Neuroscience
Philosophy
Self-Publishing
UI & UX Design
Wearable Computing
Alessandro
Built
Project Wisdom
The first application of generative AI to automation in the IT industry: a large language model used to generate Ansible automation workflows (now called Ansible Lightspeed).
Ansible Security Automation
An open source-based solution to integrate and orchestrate 3rd party cybersecurity solutions through Ansible.
virtualization.info
From 2003 to 2010, the most authoritative online publication about virtualization worldwide, with over 7 million visitors per year.
Alessandro Invented
US Patent 10778701
Mitigating cyber-attacks by automatically coordinating responses from cybersecurity tools.
Alessandro's
Essays
  • Amazon has won enterprise IT management
  • Open Source for Business People
  • Analyst Relations Worst Practices
  • NoOps: Misguided Hopes, New Ideas, And Three Paths Towards An Attainable Future
  • A killer app for the VR of the future: life tourism
Alessandro's
Podcasts
Reality Distortion Fields - Podcast Cover

In the Press
MIT Logo
The MIT mentions Alessandro as a subject matter expert in artificial intelligence in a new research paper:
Why They’re Worried
MilanoFinanza Logo
Milano Finanza interviews Alessandro about the Future of Life Institute (FLI) open letter he signed:
ChatGPT, l’intelligenza artificiale è davvero una minaccia o rimane un affare miliardario?
FT Logo
Financial Times quotes Alessandro about the impact of automation on human labor:
How cloud automation is changing IT: repair, replicate and correct
Time Out Logo
Time Out quotes Alessandro about censoring creative work produced with generative AI:
"I thought people would understand what I was trying to do": The story behind the film too controversial for London's cinemas
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