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1113426506070593536

RT @wayve_ai: We’re excited to share our latest work showing our self-driving car navigating urban roads with just cameras and a basic sat-…
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Original tweet: https://twitter.com/giano/status/1113426506070593536

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Remarkable. https://t.co/gncrKgab2i
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Original tweet: https://twitter.com/giano/status/1113426355226595328

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This free #AI reads X-rays as well as doctors https://t.co/vSaFTgfA4I
[snapshot url=”https://www.fastcompany.com/90326445/this-free-ai-reads-x-rays-as-well-as-doctors?partner=feedburner&utm_source=feedly&utm_medium=feed&utm_campaign=feedburner+fastcompany&utm_content=feedburner”]
Original tweet: https://twitter.com/giano/status/1113022469743501312

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I’m curious. What happens if, hypothetically speaking, this petition reaches 17.5M signatures? > Petition: Revoke Article 50 and remain in the EU. https://t.co/lyjpmbW1Ep
[snapshot url=”https://petition.parliament.uk/petitions/241584″]
Original tweet: https://twitter.com/giano/status/1112986021334056961

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This, for example, is not good UX. It’s terrible that I have to see this as first thing first when I read a @NatGeo story on @Apple News. https://t.co/Z5CJEavK6O
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Original tweet: https://twitter.com/giano/status/1112841361982713858

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It makes absolutely no sense to access a subset of the main newspapers through News+. It’s either all or nothing. It’s also poor UX. I’m not surprised Apple didn’t want to have limitations in terms of content > Journalists Fear Apple News Is a Trojan Horse https://t.co/11r4SIz7XJ
[snapshot url=”https://www.vanityfair.com/news/2019/04/journalists-wonder-if-apple-news-is-a-trojan-horse”]
Original tweet: https://twitter.com/giano/status/1112816605875130368

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I have just watched an 11min @YouTube video (of minor importance, nothing like a short animation movie, with less than 55K views) interrupted by *five* commercials.
When did YT become a worse experience than normal TV?
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Original tweet: https://twitter.com/giano/status/1112779341572837376

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That truly is incredible > “Burger King is introducing a Whopper made with a vegetarian patty from the start-up Impossible Foods.” https://t.co/ejZ1Gi91zB
[snapshot url=”https://www.nytimes.com/2019/04/01/technology/burger-king-impossible-whopper.html?action=click&module=News&pgtype=Homepage”]
Original tweet: https://twitter.com/giano/status/1112734976385138688

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And, in fact: https://t.co/QGKY8L6kNT
[snapshot url=”https://www.artsy.net/news/artsy-editorial-artwork-created-ai-sold-40-000-sothebys-failing-generate-fervor-propelled-ai-work-sell-40-times-estimate-year”]
Original tweet: https://twitter.com/giano/status/1112115067305250816

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Experimental AI can steal PINs and passwords by listening to finger taps https://t.co/2Y8nkP6kiy
[snapshot url=”https://venturebeat.com/2019/03/29/experimental-ai-can-steal-pins-and-passwords-by-listening-to-finger-taps/”]
Original tweet: https://twitter.com/giano/status/1111677591709196288
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Alessandro Perilli
Alessandro
Perilli
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Open Creative Studio is a state-of-the-art, free AI workflow for ComfyUI. Generate text, images, videos, voice, music, audio FX, and lyrics.
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The State of DeepFake
A series of videos to demonstrate the state of the art of deepfake technologies.
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Bio
Alessandro is a Vice President, Research at IDC. His current focus is on Enterprise AI Strategies.
Things Alessandro has done in the past:

  • Chief of Research, pioneering R&D solutions for synthetic media generation with Unstable Reality
  • Tech executive, focused on business and product strategy for Red Hat
  • Global analyst, leading research in private cloud computing for Gartner
  • Entrepreneur in the media industry as the founder of virtualization.info
  • Advisor to Fortune Global 2000 companies
  • Co-author of the Cloud Computing Risk Assessment⭑ for the European Network and Information Security Agency (ENISA)
  • Author of a cybersecurity book⭑ for Arnoldo Mondadori Editore
  • Creator of one of the first ethical hacking trainings in the world for Mondadori Informatica
Alessandro also is:

  • A public speaker with over two decades of experience on stage delivering almost 500 keynotes
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  • An art collector and a former corporate sponsor⭑ for Tate

Alessandro Is
an Expert In
Artificial Intelligence
Automation & Orchestration
Cloud Computing
Cybersecurity
Enterprise IT Management
Open Source
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Virtualization
Alessandro Is
Passioned About
Art
Augmented Reality
Autonomous Vehicles
Behavioral Economics
Cognitive Psychology
Genetic Engineering
Human Body Enhancement
Industrial Design
Interior Design
Mass Surveillance
Neuroscience
Philosophy
Self-Publishing
UI & UX Design
Wearable Computing
Alessandro
Built
Project Wisdom
The first application of generative AI to automation in the IT industry: a large language model used to generate Ansible automation workflows (now called Ansible Lightspeed).
Ansible Security Automation
An open source-based solution to integrate and orchestrate 3rd party cybersecurity solutions through Ansible.
virtualization.info
From 2003 to 2010, the most authoritative online publication about virtualization worldwide, with over 7 million visitors per year.
Alessandro Invented
US Patent 10778701
Mitigating cyber-attacks by automatically coordinating responses from cybersecurity tools.
Alessandro's
Essays
  • Amazon has won enterprise IT management
  • Open Source for Business People
  • Analyst Relations Worst Practices
  • NoOps: Misguided Hopes, New Ideas, And Three Paths Towards An Attainable Future
  • A killer app for the VR of the future: life tourism

In the Press
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The MIT mentions Alessandro as a subject matter expert in artificial intelligence in a new research paper:
Why They’re Worried
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Milano Finanza interviews Alessandro about the Future of Life Institute (FLI) open letter he signed:
ChatGPT, l’intelligenza artificiale è davvero una minaccia o rimane un affare miliardario?
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Financial Times quotes Alessandro about the impact of automation on human labor:
How cloud automation is changing IT: repair, replicate and correct
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Time Out quotes Alessandro about censoring creative work produced with generative AI:
"I thought people would understand what I was trying to do": The story behind the film too controversial for London's cinemas
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