Skip to content
Home
Search Contact

1114111998202085378

As an art lover and a collector, I follow all the ways high tech is transforming the #art world. #AI is especially promising for a number of applications. Great article @artsy > How Computers Can Help Art Historians Identify Disputed Rembrandts https://t.co/0yOoMhEUHs
[snapshot url=”https://www.artsy.net/article/artsy-editorial-computer-authenticate-disputed-artworks”]
Original tweet: https://twitter.com/giano/status/1114111998202085378

1114108777748410369

Must-read interview, and I couldn’t agree more. Nowhere like in #AI the transparency of open source is critical. And we are not doing nearly enough on this front > AI pioneer: ‘The dangers of abuse are very real’ https://t.co/1waYvMYjl9
[snapshot url=”https://www.nature.com/articles/d41586-019-00505-2″]
Original tweet: https://twitter.com/giano/status/1114108777748410369

1113823253762576385

Dear startups,
be careful with how you interpret industry research and always investigate for more. Researchers often omit reporting subtle details that make no difference for an end-user org perspective, but that could completely jeopardise a vendor strategy.
[snapshot url=””]
Original tweet: https://twitter.com/giano/status/1113823253762576385

1113811132974817286

“Alexa? Set an alarm for 4.30pm”
“Is it 4.30 in the morning, or in the afternoon?”
“Afternoon”
“Alarm set for midday tomorrow.”

This is the current quality of my interactions with @alexa99. A quality which has been degrading more and more over the months for over a year now.

[snapshot url=””]
Original tweet: https://twitter.com/giano/status/1113811132974817286

1113798794829869056

Health care’s huge cybersecurity problem https://t.co/hb7glxAZMm
[snapshot url=”https://www.theverge.com/2019/4/4/18293817/cybersecurity-hospitals-health-care-scan-simulation”]
Original tweet: https://twitter.com/giano/status/1113798794829869056

1113738901221466113

3/ Entire BUs end up viewing the world through the lens of positioning pieces, speculations, and gossips rather than through the interactions with real doers. And even when that happens, the biased developed by vendor-focused content is insurmountable.
[snapshot url=””]
Original tweet: https://twitter.com/giano/status/1113738901221466113

1113738899623378944

2/ Too often these days, what’s written is only interesting for IT vendors, generating a spiral of delusion, reality distortion and competition paranoia. The way #CIOs and their reports think about certain problems is miles away from the way vendors convince themselves about.
[snapshot url=””]
Original tweet: https://twitter.com/giano/status/1113738899623378944

1113738898105151488

1/ I’ve been asked for advice to people that want to build an IT publication like https://t.co/BoMpGhNroI (which I founded 16y ago). This is my answer: be obsessed with writing something that is useful for end-user orgs, the ones that actually buy and implement the products.
[snapshot url=”http://virtualization.info”]
Original tweet: https://twitter.com/giano/status/1113738898105151488

1113469454858489857

I never believed in not acknowledging the competition. Quite the opposite. > “now that information flows more freely than ever, that’s your fear talking, not an actual strategy for somehow fooling people into believing they don’t have a choice” https://t.co/p0xyvrqEDg
[snapshot url=”https://seths.blog/2019/04/next-to-the-competition-2/”]
Original tweet: https://twitter.com/giano/status/1113469454858489857

1113446979323998208

Absolutely incredible. Watch the video. Post-real era. > Adobe brings content-aware fill for videos to After Effects https://t.co/ZthQZuF6lb
[snapshot url=”https://techcrunch.com/2019/04/03/adobe-brings-content-aware-fill-for-videos-to-after-effects/”]
Original tweet: https://twitter.com/giano/status/1113446979323998208
Older posts
Newer posts
← Previous Page1 … Page704 Page705 Page706 … Page1,807 Next →
Alessandro Perilli
Alessandro
Perilli
NEW: Open Creative Studio 13.0

AI R&D
Open Creative Studio
Open Creative Studio is a state-of-the-art, free AI workflow for ComfyUI. Generate text, images, videos, voice, music, audio FX, and lyrics.
Open Creative Studio for ComfyUI
Over 60K downloads!
The State of DeepFake
A series of videos to demonstrate the state of the art of deepfake technologies.
Deepfake Scarlett Johansson (Her)
Fake Show
A synthetic podcast featuring the most realistic synthetic voices today's AI models can generate.
Fake Show
Media
Tech From the Future
A YouTube channel where Alessandro shows what AI can really do.
Tech From the Future
Synthetic Work
A weekly newsletter to understand how AI is reshaping jobs and careers, workforce productivity, and business operations.
Synthetic Work
Content
AI for Art
A series of works Alessandro produced as a pioneer of generative AI for art.
Artificial Intelligence for Art
Startups Worth Watching
A tracker of startups with enormous potential, curated by Alessandro.
Startups Worth Watching
The Brain
A collection of the most interesting passages and charts Alessandro finds in books and articles on a daily basis.
The Brain
Thoughts
A tiny place where Alessandro shares ideas.

Bio
Alessandro is a Vice President, Research at IDC. His current focus is on Enterprise AI Strategies.
Things Alessandro has done in the past:

  • Chief of Research, pioneering R&D solutions for synthetic media generation with Unstable Reality
  • Tech executive, focused on business and product strategy for Red Hat
  • Global analyst, leading research in private cloud computing for Gartner
  • Entrepreneur in the media industry as the founder of virtualization.info
  • Advisor to Fortune Global 2000 companies
  • Co-author of the Cloud Computing Risk Assessment⭑ for the European Network and Information Security Agency (ENISA)
  • Author of a cybersecurity book⭑ for Arnoldo Mondadori Editore
  • Creator of one of the first ethical hacking trainings in the world for Mondadori Informatica
Alessandro also is:

  • A public speaker with over two decades of experience on stage delivering almost 500 keynotes
  • An inventor⭑
  • An art collector and a former corporate sponsor⭑ for Tate

Alessandro Is
an Expert In
Artificial Intelligence
Automation & Orchestration
Cloud Computing
Cybersecurity
Enterprise IT Management
Open Source
Synthetic Media & Disinformation
Virtualization
Alessandro Is
Passioned About
Art
Augmented Reality
Autonomous Vehicles
Behavioral Economics
Cognitive Psychology
Genetic Engineering
Human Body Enhancement
Industrial Design
Interior Design
Mass Surveillance
Neuroscience
Philosophy
Self-Publishing
UI & UX Design
Wearable Computing
Alessandro
Built
Project Wisdom
The first application of generative AI to automation in the IT industry: a large language model used to generate Ansible automation workflows (now called Ansible Lightspeed).
Ansible Security Automation
An open source-based solution to integrate and orchestrate 3rd party cybersecurity solutions through Ansible.
virtualization.info
From 2003 to 2010, the most authoritative online publication about virtualization worldwide, with over 7 million visitors per year.
Alessandro Invented
US Patent 10778701
Mitigating cyber-attacks by automatically coordinating responses from cybersecurity tools.
Alessandro's
Essays
  • Amazon has won enterprise IT management
  • Open Source for Business People
  • Analyst Relations Worst Practices
  • NoOps: Misguided Hopes, New Ideas, And Three Paths Towards An Attainable Future
  • A killer app for the VR of the future: life tourism

In the Press
MIT Logo
The MIT mentions Alessandro as a subject matter expert in artificial intelligence in a new research paper:
Why They’re Worried
MilanoFinanza Logo
Milano Finanza interviews Alessandro about the Future of Life Institute (FLI) open letter he signed:
ChatGPT, l’intelligenza artificiale è davvero una minaccia o rimane un affare miliardario?
FT Logo
Financial Times quotes Alessandro about the impact of automation on human labor:
How cloud automation is changing IT: repair, replicate and correct
Time Out Logo
Time Out quotes Alessandro about censoring creative work produced with generative AI:
"I thought people would understand what I was trying to do": The story behind the film too controversial for London's cinemas
Copyright 2026 © Alessandro Perilli
Contact
© 2026 Alessandro Perilli • Built with GeneratePress