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446982768837529600

@andreasgroth Can’t 🙂 Be patient. It’s not that exciting anyway (ok, I am lying on this one).
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Original tweet: https://twitter.com/giano/status/446982768837529600

446980038081396736

For the ones curious to know where I am going next, wait for an announcement next Monday. On Twitter, LinkedIn, Facebook.
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Original tweet: https://twitter.com/giano/status/446980038081396736

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Last day with Gartner. I learned immensely in these three years. http://t.co/arplyITl3Q
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Original tweet: https://twitter.com/giano/status/446979009159901184

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And now spending the day writing LinkedIn recommendations for my formers colleagues. So many amazing professionals to recognize before I go.
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Original tweet: https://twitter.com/giano/status/446978342898913281

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I didn’t realize I started using Twitter just 3 years ago: https://t.co/EF3rI5lQ4M Ironically for today, just before starting with Gartner.
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Original tweet: https://twitter.com/giano/status/446925102048088067

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RT @gigabarb: New Relic Insights takes real-time app data analysis to the masses http://t.co/2cFulWOCcm via @gigaom
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Original tweet: https://twitter.com/giano/status/446268260716400640

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RT @AnalystArun: I arrived in Dubai today and finally “cloud” is an accepted word in the CIO lexicon. Qatar and Oman were very different.
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Original tweet: https://twitter.com/giano/status/446252709742907392

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RT @esloof: Cool @herrod has his own blog, check it out at http://t.co/95gNDdaV27
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Original tweet: https://twitter.com/giano/status/446216342568726529

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@gigabarb The ones that own/control a popular IDE, a IaaS or PaaS cloud, and have a strong influence on a large dev community. Not many left
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Original tweet: https://twitter.com/giano/status/446042076023889920

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RT @gigabarb: @NitrousIO scores $6.65M to eliminate messy development set up http://t.co/Y51qoGnubs < As I said before, these guys are smart
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Original tweet: https://twitter.com/giano/status/446040603303112705
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Alessandro Perilli
Alessandro
Perilli
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Open Creative Studio
Open Creative Studio is a state-of-the-art, free AI workflow for ComfyUI. Generate text, images, videos, voice, music, audio FX, and lyrics.
Open Creative Studio for ComfyUI
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The State of DeepFake
A series of videos to demonstrate the state of the art of deepfake technologies.
Deepfake Scarlett Johansson (Her)
Fake Show
A synthetic podcast featuring the most realistic synthetic voices today's AI models can generate.
Fake Show
Media
Tech From the Future
A YouTube channel where Alessandro shows what AI can really do.
Tech From the Future
Synthetic Work
A weekly newsletter to understand how AI is reshaping jobs and careers, workforce productivity, and business operations.
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Content
AI for Art
A series of works Alessandro produced as a pioneer of generative AI for art.
Artificial Intelligence for Art
Startups Worth Watching
A tracker of startups with enormous potential, curated by Alessandro.
Startups Worth Watching
The Brain
A collection of the most interesting passages and charts Alessandro finds in books and articles on a daily basis.
The Brain
Thoughts
A tiny place where Alessandro shares ideas.

Bio
Alessandro is a Vice President, Research at IDC. His current focus is on Enterprise AI Strategies.
Things Alessandro has done in the past:

  • Chief of Research, pioneering R&D solutions for synthetic media generation with Unstable Reality
  • Tech executive, focused on business and product strategy for Red Hat
  • Global analyst, leading research in private cloud computing for Gartner
  • Entrepreneur in the media industry as the founder of virtualization.info
  • Advisor to Fortune Global 2000 companies
  • Co-author of the Cloud Computing Risk Assessmentâ­‘ for the European Network and Information Security Agency (ENISA)
  • Author of a cybersecurity bookâ­‘ for Arnoldo Mondadori Editore
  • Creator of one of the first ethical hacking trainings in the world for Mondadori Informatica
Alessandro also is:

  • A public speaker with over two decades of experience on stage delivering almost 500 keynotes
  • An inventorâ­‘
  • An art collector and a former corporate sponsorâ­‘ for Tate

Alessandro Is
an Expert In
Artificial Intelligence
Automation & Orchestration
Cloud Computing
Cybersecurity
Enterprise IT Management
Open Source
Synthetic Media & Disinformation
Virtualization
Alessandro Is
Passioned About
Art
Augmented Reality
Autonomous Vehicles
Behavioral Economics
Cognitive Psychology
Genetic Engineering
Human Body Enhancement
Industrial Design
Interior Design
Mass Surveillance
Neuroscience
Philosophy
Self-Publishing
UI & UX Design
Wearable Computing
Alessandro
Built
Project Wisdom
The first application of generative AI to automation in the IT industry: a large language model used to generate Ansible automation workflows (now called Ansible Lightspeed).
Ansible Security Automation
An open source-based solution to integrate and orchestrate 3rd party cybersecurity solutions through Ansible.
virtualization.info
From 2003 to 2010, the most authoritative online publication about virtualization worldwide, with over 7 million visitors per year.
Alessandro Invented
US Patent 10778701
Mitigating cyber-attacks by automatically coordinating responses from cybersecurity tools.
Alessandro's
Essays
  • Amazon has won enterprise IT management
  • Open Source for Business People
  • Analyst Relations Worst Practices
  • NoOps: Misguided Hopes, New Ideas, And Three Paths Towards An Attainable Future
  • A killer app for the VR of the future: life tourism

In the Press
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The MIT mentions Alessandro as a subject matter expert in artificial intelligence in a new research paper:
Why They’re Worried
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Milano Finanza interviews Alessandro about the Future of Life Institute (FLI) open letter he signed:
ChatGPT, l’intelligenza artificiale è davvero una minaccia o rimane un affare miliardario?
FT Logo
Financial Times quotes Alessandro about the impact of automation on human labor:
How cloud automation is changing IT: repair, replicate and correct
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Time Out quotes Alessandro about censoring creative work produced with generative AI:
"I thought people would understand what I was trying to do": The story behind the film too controversial for London's cinemas
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