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If @facebook can give me a custom URL, full access to stats, and comment switch off, I am more than happy to try their new blogging platform
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Original tweet: https://twitter.com/giano/status/633312264746082304

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@jeffsussna I’ll write a blog post because 140 char can’t help me. I was talking about Netflix but it’s too long
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Original tweet: https://twitter.com/giano/status/633294582206328833

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@jeffsussna haha you misinterpreted what I meant. I was not talking about individual IT orgs
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Original tweet: https://twitter.com/giano/status/633293513485078528

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@jeffsussna Well. After a new genetic variant appears you need to wait the reproduction of few generations before evolution happens at scale
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Original tweet: https://twitter.com/giano/status/633292601458839552

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Role of IT is evolving: business support > business enablement > competitive advantage > cultural change agent.
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Original tweet: https://twitter.com/giano/status/633289775873720320

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Netflix to Pull Plug on Final Data Center: http://t.co/hj0PKnGAFs < Surreal. Just 3y ago I reviewed @dreeves1 slide: http://t.co/9G72YPT2SV
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Original tweet: https://twitter.com/giano/status/633217885104668672

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@FullPhilED @mrnickharvey LOL
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Original tweet: https://twitter.com/giano/status/632138191793995776

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@reillyusa Bring some sand and beach lounges in. We do that a lot in London. You should know better… Plus, it’s better than the ideas wall
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Original tweet: https://twitter.com/giano/status/631833520588083200

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By the time #CurrentC arrives there will be 2-3 iPhone gens with #ApplePay (and most users won’t buy every new model). Good luck with that.
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Original tweet: https://twitter.com/giano/status/631767691154558977

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So @NianticProject is leaving Google. I don’t understand why they don’t make a game like @Ingress but on espionage, a la Mission Impossible.
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Original tweet: https://twitter.com/giano/status/631757685638172672
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Alessandro Perilli
Alessandro
Perilli
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AI R&D
Open Creative Studio
Open Creative Studio is a state-of-the-art, free AI workflow for ComfyUI. Generate text, images, videos, voice, music, audio FX, and lyrics.
Open Creative Studio for ComfyUI
Over 60K downloads!
The State of DeepFake
A series of videos to demonstrate the state of the art of deepfake technologies.
Deepfake Scarlett Johansson (Her)
Fake Show
A synthetic podcast featuring the most realistic synthetic voices today's AI models can generate.
Fake Show
Media
Tech From the Future
A YouTube channel where Alessandro shows what AI can really do.
Tech From the Future
Synthetic Work
A weekly newsletter to understand how AI is reshaping jobs and careers, workforce productivity, and business operations.
Synthetic Work
Content
AI for Art
A series of works Alessandro produced as a pioneer of generative AI for art.
Artificial Intelligence for Art
Startups Worth Watching
A tracker of startups with enormous potential, curated by Alessandro.
Startups Worth Watching
The Brain
A collection of the most interesting passages and charts Alessandro finds in books and articles on a daily basis.
The Brain
Thoughts
A tiny place where Alessandro shares ideas.

Bio
Alessandro is a Vice President, Research at IDC. His current focus is on Enterprise AI Strategies.
Things Alessandro has done in the past:

  • Chief of Research, pioneering R&D solutions for synthetic media generation with Unstable Reality
  • Tech executive, focused on business and product strategy for Red Hat
  • Global analyst, leading research in private cloud computing for Gartner
  • Entrepreneur in the media industry as the founder of virtualization.info
  • Advisor to Fortune Global 2000 companies
  • Co-author of the Cloud Computing Risk Assessment⭑ for the European Network and Information Security Agency (ENISA)
  • Author of a cybersecurity book⭑ for Arnoldo Mondadori Editore
  • Creator of one of the first ethical hacking trainings in the world for Mondadori Informatica
Alessandro also is:

  • A public speaker with over two decades of experience on stage delivering almost 500 keynotes
  • An inventor⭑
  • An art collector and a former corporate sponsor⭑ for Tate

Alessandro Is
an Expert In
Artificial Intelligence
Automation & Orchestration
Cloud Computing
Cybersecurity
Enterprise IT Management
Open Source
Synthetic Media & Disinformation
Virtualization
Alessandro Is
Passioned About
Art
Augmented Reality
Autonomous Vehicles
Behavioral Economics
Cognitive Psychology
Genetic Engineering
Human Body Enhancement
Industrial Design
Interior Design
Mass Surveillance
Neuroscience
Philosophy
Self-Publishing
UI & UX Design
Wearable Computing
Alessandro
Built
Project Wisdom
The first application of generative AI to automation in the IT industry: a large language model used to generate Ansible automation workflows (now called Ansible Lightspeed).
Ansible Security Automation
An open source-based solution to integrate and orchestrate 3rd party cybersecurity solutions through Ansible.
virtualization.info
From 2003 to 2010, the most authoritative online publication about virtualization worldwide, with over 7 million visitors per year.
Alessandro Invented
US Patent 10778701
Mitigating cyber-attacks by automatically coordinating responses from cybersecurity tools.
Alessandro's
Essays
  • Amazon has won enterprise IT management
  • Open Source for Business People
  • Analyst Relations Worst Practices
  • NoOps: Misguided Hopes, New Ideas, And Three Paths Towards An Attainable Future
  • A killer app for the VR of the future: life tourism

In the Press
MIT Logo
The MIT mentions Alessandro as a subject matter expert in artificial intelligence in a new research paper:
Why They’re Worried
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Milano Finanza interviews Alessandro about the Future of Life Institute (FLI) open letter he signed:
ChatGPT, l’intelligenza artificiale è davvero una minaccia o rimane un affare miliardario?
FT Logo
Financial Times quotes Alessandro about the impact of automation on human labor:
How cloud automation is changing IT: repair, replicate and correct
Time Out Logo
Time Out quotes Alessandro about censoring creative work produced with generative AI:
"I thought people would understand what I was trying to do": The story behind the film too controversial for London's cinemas
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