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705471607947526144

News like this remain surreal. Unreal 10y ago> LinkedIn open-sources its WhereHows data discovery and lineage portal https://t.co/nx2h0WZx5D
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Original tweet: https://twitter.com/giano/status/705471607947526144

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If you don’t see a trend on how the industry is pushing incredibly hard for a frictionless IT, reshaping the expectations of new-gen users..
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Original tweet: https://twitter.com/giano/status/705410165282119680

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What’s more frictionless than paying by tapping your phone? Paying without tapping it > Google’s Hands Free https://t.co/impeHkBxt4
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Original tweet: https://twitter.com/giano/status/705409432969220096

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Amazon adds the $130 Tap and the $90 Dot to the Echo family > Just sell the big one in EMEA. I beg you @AmazonEcho https://t.co/Ri6dVe6CL3
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Original tweet: https://twitter.com/giano/status/705401618938929152

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The ecosystem literally makes or breaks a product in the long term. The broader & healthier, the longer a product will remain adaptable
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Original tweet: https://twitter.com/giano/status/705398408438259712

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I maintain that Slack does absolutely nothing to reduce the email workload. But thanks to its huge ecosystem, I found a good way to use it.
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Original tweet: https://twitter.com/giano/status/705397667334103040

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@skpodila Right > Hey @Gartner_inc how about publishing an RSS feed of new research papers released?
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Original tweet: https://twitter.com/giano/status/705397246771273728

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The more photo editing apps I try the more astonished I am by how smart & frictionless @google Snapseed UI is. After years I’m still amazed.
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Original tweet: https://twitter.com/giano/status/705378475683794944

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Now reading Gartner’s “How to Architect and Design Cloud-Native Applications” by @richwatson > another good one
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Original tweet: https://twitter.com/giano/status/705347692516524032

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Hey @gartner, how about a RSS feed for new research published?
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Original tweet: https://twitter.com/giano/status/705344245633253376
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Alessandro Perilli
Alessandro
Perilli
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Open Creative Studio
Open Creative Studio is a state-of-the-art, free AI workflow for ComfyUI. Generate text, images, videos, voice, music, audio FX, and lyrics.
Open Creative Studio for ComfyUI
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The State of DeepFake
A series of videos to demonstrate the state of the art of deepfake technologies.
Deepfake Scarlett Johansson (Her)
Fake Show
A synthetic podcast featuring the most realistic synthetic voices today's AI models can generate.
Fake Show
Media
Tech From the Future
A YouTube channel where Alessandro shows what AI can really do.
Tech From the Future
Synthetic Work
A weekly newsletter to understand how AI is reshaping jobs and careers, workforce productivity, and business operations.
Synthetic Work
Content
AI for Art
A series of works Alessandro produced as a pioneer of generative AI for art.
Artificial Intelligence for Art
Startups Worth Watching
A tracker of startups with enormous potential, curated by Alessandro.
Startups Worth Watching
The Brain
A collection of the most interesting passages and charts Alessandro finds in books and articles on a daily basis.
The Brain
Thoughts
A tiny place where Alessandro shares ideas.

Bio
Alessandro is a Vice President, Research at IDC. His current focus is on Enterprise AI Strategies.
Things Alessandro has done in the past:

  • Chief of Research, pioneering R&D solutions for synthetic media generation with Unstable Reality
  • Tech executive, focused on business and product strategy for Red Hat
  • Global analyst, leading research in private cloud computing for Gartner
  • Entrepreneur in the media industry as the founder of virtualization.info
  • Advisor to Fortune Global 2000 companies
  • Co-author of the Cloud Computing Risk Assessment⭑ for the European Network and Information Security Agency (ENISA)
  • Author of a cybersecurity book⭑ for Arnoldo Mondadori Editore
  • Creator of one of the first ethical hacking trainings in the world for Mondadori Informatica
Alessandro also is:

  • A public speaker with over two decades of experience on stage delivering almost 500 keynotes
  • An inventor⭑
  • An art collector and a former corporate sponsor⭑ for Tate

Alessandro Is
an Expert In
Artificial Intelligence
Automation & Orchestration
Cloud Computing
Cybersecurity
Enterprise IT Management
Open Source
Synthetic Media & Disinformation
Virtualization
Alessandro Is
Passioned About
Art
Augmented Reality
Autonomous Vehicles
Behavioral Economics
Cognitive Psychology
Genetic Engineering
Human Body Enhancement
Industrial Design
Interior Design
Mass Surveillance
Neuroscience
Philosophy
Self-Publishing
UI & UX Design
Wearable Computing
Alessandro
Built
Project Wisdom
The first application of generative AI to automation in the IT industry: a large language model used to generate Ansible automation workflows (now called Ansible Lightspeed).
Ansible Security Automation
An open source-based solution to integrate and orchestrate 3rd party cybersecurity solutions through Ansible.
virtualization.info
From 2003 to 2010, the most authoritative online publication about virtualization worldwide, with over 7 million visitors per year.
Alessandro Invented
US Patent 10778701
Mitigating cyber-attacks by automatically coordinating responses from cybersecurity tools.
Alessandro's
Essays
  • Amazon has won enterprise IT management
  • Open Source for Business People
  • Analyst Relations Worst Practices
  • NoOps: Misguided Hopes, New Ideas, And Three Paths Towards An Attainable Future
  • A killer app for the VR of the future: life tourism

In the Press
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The MIT mentions Alessandro as a subject matter expert in artificial intelligence in a new research paper:
Why They’re Worried
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Milano Finanza interviews Alessandro about the Future of Life Institute (FLI) open letter he signed:
ChatGPT, l’intelligenza artificiale è davvero una minaccia o rimane un affare miliardario?
FT Logo
Financial Times quotes Alessandro about the impact of automation on human labor:
How cloud automation is changing IT: repair, replicate and correct
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Time Out quotes Alessandro about censoring creative work produced with generative AI:
"I thought people would understand what I was trying to do": The story behind the film too controversial for London's cinemas
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