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783345472350121985

Nice moves from @google w Pixel (unlimited photo storage at max resolution, automatic Android upgrades) but Galaxy Note 7 still looks better
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Original tweet: https://twitter.com/giano/status/783345472350121985

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OK. @CiscoLive Beriln booked.
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Original tweet: https://twitter.com/giano/status/783237018981662721

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What’s going on? @Garmin ended Vivosmart (best wristband ever) @Microsoft ended Band (which had a lot of potential) https://t.co/WnZfugq3r3
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Original tweet: https://twitter.com/giano/status/783024653530955776

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@skpodila Actually, it’s a good thing. If I get inside @facebook HQ, I know I’ll say something crazy to convince them doing my email client.
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Original tweet: https://twitter.com/giano/status/782997594708516864

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Invited at the @facebook Product Engineering Open House event in London and I can’t go. So disappointing.
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Original tweet: https://twitter.com/giano/status/782996484195282945

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Google’s Cloud Machine Learning service is now in public beta:
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Original tweet: https://twitter.com/giano/status/782996054182617088

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Every company is turning into a software company. And that is sustainable only with open source. Look at Walmart: https://t.co/67ujehgpmt
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Original tweet: https://twitter.com/giano/status/782995145910345728

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Branding Once Meant Logos. Today, It Means AI: https://t.co/MQe1rAIWLS
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Original tweet: https://twitter.com/giano/status/782994047489208320

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@kix1979 Fine. But the original point is to teach your kids to not be an idiot. I’m sure that you if you replace cars with something else…
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Original tweet: https://twitter.com/giano/status/782708621297811456

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@kix1979 /3 All that fun you have driving (5% of total time?) you pay w your health and possibly your life. I hope drive a Ferrari my friend
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Original tweet: https://twitter.com/giano/status/782707833892642817
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Alessandro Perilli
Alessandro
Perilli
NEW: Open Creative Studio 13.0

AI R&D
Open Creative Studio
Open Creative Studio is a state-of-the-art, free AI workflow for ComfyUI. Generate text, images, videos, voice, music, audio FX, and lyrics.
Open Creative Studio for ComfyUI
Over 60K downloads!
The State of DeepFake
A series of videos to demonstrate the state of the art of deepfake technologies.
Deepfake Scarlett Johansson (Her)
Fake Show
A synthetic podcast featuring the most realistic synthetic voices today's AI models can generate.
Fake Show
Media
Tech From the Future
A YouTube channel where Alessandro shows what AI can really do.
Tech From the Future
Synthetic Work
A weekly newsletter to understand how AI is reshaping jobs and careers, workforce productivity, and business operations.
Synthetic Work
Content
AI for Art
A series of works Alessandro produced as a pioneer of generative AI for art.
Artificial Intelligence for Art
Startups Worth Watching
A tracker of startups with enormous potential, curated by Alessandro.
Startups Worth Watching
The Brain
A collection of the most interesting passages and charts Alessandro finds in books and articles on a daily basis.
The Brain
Thoughts
A tiny place where Alessandro shares ideas.

Bio
Alessandro is a Vice President, Research at IDC. His current focus is on Enterprise AI Strategies.
Things Alessandro has done in the past:

  • Chief of Research, pioneering R&D solutions for synthetic media generation with Unstable Reality
  • Tech executive, focused on business and product strategy for Red Hat
  • Global analyst, leading research in private cloud computing for Gartner
  • Entrepreneur in the media industry as the founder of virtualization.info
  • Advisor to Fortune Global 2000 companies
  • Co-author of the Cloud Computing Risk Assessment⭑ for the European Network and Information Security Agency (ENISA)
  • Author of a cybersecurity book⭑ for Arnoldo Mondadori Editore
  • Creator of one of the first ethical hacking trainings in the world for Mondadori Informatica
Alessandro also is:

  • A public speaker with over two decades of experience on stage delivering almost 500 keynotes
  • An inventor⭑
  • An art collector and a former corporate sponsor⭑ for Tate

Alessandro Is
an Expert In
Artificial Intelligence
Automation & Orchestration
Cloud Computing
Cybersecurity
Enterprise IT Management
Open Source
Synthetic Media & Disinformation
Virtualization
Alessandro Is
Passioned About
Art
Augmented Reality
Autonomous Vehicles
Behavioral Economics
Cognitive Psychology
Genetic Engineering
Human Body Enhancement
Industrial Design
Interior Design
Mass Surveillance
Neuroscience
Philosophy
Self-Publishing
UI & UX Design
Wearable Computing
Alessandro
Built
Project Wisdom
The first application of generative AI to automation in the IT industry: a large language model used to generate Ansible automation workflows (now called Ansible Lightspeed).
Ansible Security Automation
An open source-based solution to integrate and orchestrate 3rd party cybersecurity solutions through Ansible.
virtualization.info
From 2003 to 2010, the most authoritative online publication about virtualization worldwide, with over 7 million visitors per year.
Alessandro Invented
US Patent 10778701
Mitigating cyber-attacks by automatically coordinating responses from cybersecurity tools.
Alessandro's
Essays
  • Amazon has won enterprise IT management
  • Open Source for Business People
  • Analyst Relations Worst Practices
  • NoOps: Misguided Hopes, New Ideas, And Three Paths Towards An Attainable Future
  • A killer app for the VR of the future: life tourism

In the Press
MIT Logo
The MIT mentions Alessandro as a subject matter expert in artificial intelligence in a new research paper:
Why They’re Worried
MilanoFinanza Logo
Milano Finanza interviews Alessandro about the Future of Life Institute (FLI) open letter he signed:
ChatGPT, l’intelligenza artificiale è davvero una minaccia o rimane un affare miliardario?
FT Logo
Financial Times quotes Alessandro about the impact of automation on human labor:
How cloud automation is changing IT: repair, replicate and correct
Time Out Logo
Time Out quotes Alessandro about censoring creative work produced with generative AI:
"I thought people would understand what I was trying to do": The story behind the film too controversial for London's cinemas
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